Canadian radio captures five times the listening time of ad-supported Spotify
AES looks at Dolby Atmos for broadcasters
Can radio learn to love immersive audio?
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Attribution, not reach, is the new currency that moves budgets
The survey also finds rising daily online audio use and broad adoption across age groups
Commercial radio increased its share of listening; BBC reported mixed audience results
Inducted on Oct. 22 at the Rainbow Room in NYC
Survey findings also highlight radio’s role in car journeys and advertising trust
Launched online in October 2025, the children's station attracted more than 3 million listens
Can radio learn to love immersive audio?
As more people plug into earpods and headphones, audio publishers are providing immersive storytelling experiences
The installation creates a “future-proof monitoring environment” for students
Pro sound engineers will provide master classes on audio
Powered monitor skeptic converted for 7.1.4 immersive configuration
German studio digs deeper into immersive sound
Syndicate of Sounds will demo Déjà Vu at the NAB Show
aixtream technology adds audio depth to "Who Killed Tupper"
China Film Group has added nearly 150 Genelec monitors to its production facilities for surround sound production
Mexican TV broadcaster and program producer TelevisaUnivision has upgraded its main 5.1 surround sound studio a 7.1.4 Dolby Atmos configuration with Genelec monitors
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